Horizon Information Portal

Previous Searches

Other Libraries

> You're searching: Dayton Metro Library

All the stops : the glorious pipe organ and its American masters / Craig R. Whitney.

by Whitney, Craig R., 1943-

View full image

New York : Public Affairs, c2003.

xxv, 323 p. : ill. ; 25 cm.

1n this lively history of the pipe organ in America, Whitney, assistant managing editor of the New York Times and an amateur organist, weaves a tale of opposing ideas and colorful personalities. Pipe organs in this country were built much as they had been for centuries in Europe until the early 20th century, when Ernest Skinner electrified their mechanical parts, thus enabling them to produce massive sound that could fill theaters and concert halls. In the 1930s, Skinner's ideas were challenged by one of his associates, G. Donald Harrison, who advocated a return to organs built with mechanical action. Harrison prevailed, and eventually Skinner was driven out of the company he had founded. Mirroring the story of the contest between Skinner and Harrison is Whitney's account of the rivalry between two of the best-known organists of the mid-20th century Virgil Fox, the flamboyant showman who developed a cult following with performances on electronic organs (without pipes) in rock concert halls, and the more reserved but equally popular E. Power Biggs, who agreed with Harrison's philosophy. In the 1960s and '70s, Charles B. Fisk devised a way to build mechanical-action organs that could produce rich, full-bodied sounds as well as the bright, crisp sounds appropriate for German baroque music. Whitney (Spy Trader) admits that many important American organ builders and performers are left out of his history. But by concentrating on a few outstanding personalities and the organs they built or played on, he presents an engrossing story that should help fuel the resurgence of interest in the organ in this country. Photos not seen by PW. 352 pgs (Apr.) CAHNERS PUBLISHING, c2003.-

MUSIC The pipe organ has compelled listeners and writers almost as much as opera and far surpasses the popularity of other classical instruments. Whitney, assistant managing editor of the New York Times and an amateur organist and organ builder, celebrates American organ builders and some of the more colorful and renowned performers of the past 150 years. Taking a circuitous approach, he traces the development of the instrument through the 19th and 20th centuries, as builders struggled to match the magnificent European models while charting the sometimes volatile, sometime complementary interaction between builders and performers. The author, never at a loss for a superlative, presents his narrative in an engaging manner, sprinkling the historical commentaries with enough candid anecdotes to delight the hearts of even the most devoted and knowledgeable organ buff. A thoroughly enjoyable as well as an enjoyably thorough survey, this may well be the first book to associate organ building with the lives of its most famous performers. Highly recommended for organ specialists and music fans alike. Timothy J. McGee, Hastings, Ont.; 352pg. CAHNERS PUBLISHING, c2003.-

KK 02/15/2003 0293

LJ 03/15/2003 0087

PW 03/17/2003 0064

No. of Requests:

Horizon Information Portal 3.09_74.01

Powered by Dynix

© 2001-2004 Dynix All rights reserved.

Horizon Information Portal